THE BOYS FROM BRAZIL (1978)

THE FILM

FILM DIRECTOR: Franklin J. Schaffner

SCREENWRITER: Heywood Gould

FILM STARS: Gregory Peck, Laurence Olivier, James Mason, Lilli Palmer, Uta Hagen, Steve Guttenberg, Denholm Elliott, Rosemary Harris, John Dehner, Anne Meara, Bruno Ganz, Michael Gough

COUNTRY: USA

THIS BOOK

AUTHOR: Ira Levin

TYPE: Novel

PUBLISHER: Pan

THIS EDITION PUBLISHED: 1979

COUNTRY: Great Britain

COVER: Paperback

THE ORIGINAL BOOK

ORIGINAL AUTHOR: As Above

YEAR FIRST PUBLISHED: 1976

ORIGINAL BOOK  TITLE: The film title

NOTES

GENRE: Political thriller, War

WORDS: Ira Levin writes genre novels with an artistic bent … well, I think he does. His most famous novels are perhaps the murder drama, “A Kiss before Dying” (1953), the horror, “Rosemary’s Baby” (1967) or the satirical sci fi “The Stepford Wives” (1972). His plot twists, and perhaps because he was a playwright, make his novels perfect for films … and most have been filmed.

This novel about post WW2 Nazi’s in South America (headed by Dr Joseph Mengele, who was alive at the time) using Hitler’s DNA to to create cloned children (one of which is hoped may one day start a Fourth Reich) is a hoot. The film, if I recollect correctly plays it straight as a political thriller (and as a pseudo cautionary tale about Nazism) with all the mind games, philosophising, and politics mixed with thrills you would expect from a Schaffner film. A magnificent cast though Peck as Mengele and Olivier as the Nazi hunter seem to have got their roles reversed. Perhaps they were looking for a change as Olivier had just played a Nazi in “The Marathon Man” (1976) and Peck had just played uber American general MacArthur in the film of the same name from 1977. James Mason seems happy playing a German … again.

What’s there not to like?

LINKS

TRAILER

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2 Responses to THE BOYS FROM BRAZIL (1978)

  1. Neville Weston says:

    The movie is completely mad but very entertaining. I think Olivier would have made a better Nazi mad scientist than Peck, but the film still works.

    Secret Nazi plots seemed to be a staple of 70’s thrillers. After he wrote The Day of the Jackal , Forsyth wrote The Odessa File, a thriller with a bonkers plot about Nazis planning on using nerve gas to wipe out Israel. I think it was later made into a movie.

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